Service 01 · On the monthly plan
Video Shoots
The videos people remember your brand by.
Brand films, product videos, founder interviews and ad creative — planned around one message, shot properly, and edited with full colour and sound. Every shoot day is built so it also produces the vertical clips, stills and ad hooks your channels need for the rest of the month.
Footage that keeps producing content long after the shoot day is over.
What you get
- Brand and product films
- Founder, team and customer interviews
- Vertical cutdowns for reels and shorts
- A stills set pulled from the same shoot
- Full editing, grade, sound mix and subtitles
- Exports sized for every channel you run
Reply within 2 working days
A shoot day is inventory, not an event.
01020304The brands that stay visible are not the ones with the best single video. They are the ones with a deep shelf of footage — enough that every channel can be fed next week without booking anything.
Most video gets briefed as an occasion: one day, one location, one deliverable, repeat next quarter. That model breaks the moment your ads need fresh creative every fortnight, or your feed needs something on Tuesday, or a retailer asks for a fifteen-second cut by Friday. You end up hiring a different freelancer for each and nothing looks like the same brand.
We plan the shoot backwards from the calendar instead. Before a camera is booked we know which posts, which ads and which page headers this day has to fill — so the shot list carries wide frames and vertical frames, cutaways and stills, hero moments and filler moments, all in one lighting setup.
The result is a library, not a file. One directed day usually carries a month of publishing, and the same footage keeps earning through ad testing long after the crew has gone home.
- Shoot day · a month of assets
- 1Shoot day · a month of assets
- Usable cuts per production day
- 20+Usable cuts per production day
- Days · shoot to first delivery
- 7Days · shoot to first delivery
Four things we will not compromise on
Each of these is specific enough that you can hold us to it on the first project.
- 01
Planned as a month, not a day
The shot list is written against your posting calendar and your ad plan, so nothing gets filmed that has nowhere to go.
- 02
Framed wide and vertical in the same take
Vertical is composed on set, not cropped afterwards. Faces stay centred, product stays whole, nothing important sits outside the 9:16 safe area.
- 03
Sound treated as half the picture
Lavs, a boom and a room tone pass on every setup. Bad audio is the fastest way for a good-looking film to read as amateur.
- 04
Edited by the people who shot it
The edit does not get handed to a stranger. Whoever directed the day knows which take carried the moment, so the cut keeps it.
What actually gets delivered
The same work, cut for the place it has to live. Media slots below are sized and waiting on the studio's own files.
- 01.160–90s · landscape · site and pitch
The brand film
- One idea, told properly
- Graded and scored
- Cuts down to 30s and 15s
- Lives on your homepage and in the room
01.215–30s · square and verticalProduct and demo films
- One product, one benefit, one shot list
- Built for the feed and the product page
- Text-safe framing for captions
- Variants per colourway or SKU
- 01.36–12 per shoot · 9:16
Vertical cutdowns
- Hook in the first second
- Burnt-in subtitles as standard
- Different openings on the same body
- Handed over ad-ready
- 01.42 cameras · studio or on location
Interviews and talking head
- Questions written with you beforehand
- Two-camera coverage so cuts are invisible
- Pull-quote clips for social
- Transcript delivered with the files
How video shoots runs
Four stages, the same every time, so you always know what is happening and what is expected of you.
- 01
Plan
We agree the message, the formats and the shot list before anything is booked.
- 02
Prep
Cast, location, crew and gear are quoted and approved by you first — no surprises.
- 03
Shoot
A directed day built to feed the whole month, not one video.
- 04
Edit
Cut, grade, sound and delivery in every size your channels need.
What people get wrong about this
01Higher production value means slower turnaround.
It means the opposite when the day is planned. Social cutdowns land inside the same week; only the long-form film waits for grade and mix.
02Phone footage is fine now, so a crew is a waste.
Phones are fine for moments. They are not fine for lighting a product, holding focus on a founder, or recording usable sound in a busy room.
03We should shoot first and work out the edit later.
That is how brands end up with 400GB of unusable footage. The edit is decided on the shot list, before call time.
- 20+
- Assets from one shoot day
- 7 days
- Shoot to first delivery
Typical planned day. Exact count depends on setups.
Social cutdowns. Long films run to the agreed date.
Video Shoots, answered
A planned day usually yields the hero film, six to twelve vertical cutdowns and a stills set — enough to carry a month of posting. The exact count depends on how many setups, products and locations we cover, and we agree it on the shot list before booking.
Next step
Tell us what you sell. We will send back a plan and a price.
Tell us what you sell. You get a scope, a price and a first-month plan back — usually inside two working days.
- Free · 30 minutes
- No obligation
- Reply within 2 working days